Author: katyjade

Fundraising

On Friday I will be spending the night sleeping rough for the Sleep Easy event 2017 to raise money for Lincoln’s YMCA, helping homeless and vulnerable people.  Last year, on a very bitterly cold and rainy night, an unnamed homeless man died behind a church close to where I live. When I heard this I was stricken with the thought that if anyone had known he was there or knew his situation, they may have helped him and he could have survived the night. This played on my mind as I took a bunch of flowers to lay next to the church, I didn’t know where exactly he had died, but I was expecting to find other flowers laid by other people (ex family members, friends, anyone who cared…) only to find that no flowers had been left. As far as reports claimed he was an ‘unnamed homeless man.’ Although before his situation declined he was a son. He may have been a father, or at once a husband, brother, friend etc. This haunted me throughout the …

Evolution of my Flamingos / Katy Jade Dobson

Did anyone else laugh at the flamingos on Planet Earth II? It is obvious then as an animal lover and colour lover combined, that flamingos would come up throughout my portfolio of work. In fact, they come up much further back than I remembered from the top of my head. Sifting through my past paintings I found a set of similar works that have evolved over time and gown in my experience. It appears that I loved flamingos just as much in 2012. Sitting these paintings side by side will always be inspirational to me, to show myself just how far I can push my work if I want to. Working on your art, or anything at all, can take years of daily dedication and pure hard work. I have applied this to my art with patience and looseness to help me grow. I have let my gut instinct walk me, and through that I have taught myself to paint images as I want them to be seen and will continue to grow further. Please …

2017 / Katy Jade Dobson

It is always exciting for me to reflect not only back on the previous year, but to look forwards at the opportunities and challenges and watching them become real.  Currently I am working on a new collection. Much like early last year, I am working hard on a full set of oil paintings that are interlinked, their concept is laced throughout the collection and their visuals are woven together. Working on a full set together is a piece of time that eventually reflects directly into a real, tangible ‘thing.’ I have often talked about pockets of time being mirrored in a painting, but a collection evokes both a memory of a period of time, or a feeling of de ja vu. This particular collection is exciting for me, and always, is an effort to push forward with my craft, honing, building on, and learning new skills. As well as an impending new collection, I have other very exciting things going on this year, which I will certainly be notifying anyone interested, though this website, my …

My 2016 in summery

Although on the broader spectrum of things, 2016 has been a tough year for so many people in many places, on a smaller and more personal scale I have known people to have had a great year, filled with personal achievements and good times. Early last year I worked solidly on a collection named The 21 Grams Collection. (See in full here) which was a great achievement for me. It was a body of work, full to the brim with enthusiasm and everything I had gained in knowledge and skill of art and my craft in order to create it. It was a personal highlight and achievement for me. This collection was shown in its entirety at Robertson Fine Art Gallery in Edinburgh, a place so stunning that I ventured back for the Edinburgh Fringe Festival later that year. Amongst this show, I visited some other beautiful galleries throughout the year to showcase new originals and prints. A standout for me was Eye Like Gallery in Beaconsfield. A wonderful gallery full of life and enthusiasm for …

New Release – Sea Life and Majestic Mammals

I am so excited to be donating a percentage of profits from my new sea life themed release to the Marine Conservation Society. They work hard to protect our living seas and the wildlife in them by keeping shores clean of litter, tackling overfishing of important species and offering marine life animal adoption schemes. Keeping our oceans clean and healthy for the environment and its inhabitants is invaluable work. I love what they do to proudly protect our sea life and I am thrilled to be working with them. These 2 original paintings are particular favourites of mine, for reasons in that portraying sea life is a different challenge altogether. I had never painted turtles before working on these sea turtles which shows them swimming amongst a midst of intricate colours and textures. I had watched videos of these serene creatures on YouTube before deciding the way in which I wanted to depict them. When working on forming a mammal painting there is a logic to consider when building the subject. The light source will highlight features and …

Courty – The Godfather of Neon

‘There’s red neon gas running through my veins.’ Much like the bold and commanding nature of neon art, Courty himself radiates a parallel presence that you simply couldn’t ignore if you tried. As an artist who has immersed himself into almost 3 decades of fine tuning his skill in the art of neon, Robert Court respectfully demands your attention through his use of light, colour and the written word. Robert Court began his career in 1987. His rich portfolio of work and achievements have illuminated a pathway towards being one of the most prominant neon artists of proud London origin. His bold work has featured in film and tv sets, theatre, books, and businesses, as well as prestigious galleries and events. Courty is signed by Wishbone Publishing (the wonderful team who also represent my work) this has awarded me the privilege of seeing Courty’s work emblazoning gallery walls in all their brilliant glory. His work is hand made with pure passion and enthusiasm, distincly obvious from the emanating love shown in his fantastic artist interview, …

Eye Like Gallery / Exhibition

  Last weekend I had the privilege of exhibiting my work with the wonderful Eye Like Gallery in Beaconsfield. With a gallery full of my work exclusively, a mixture of limited edition prints and originals painted especially for the occasion adorned the walls in this beautiful space. The family run gallery  (the glamorous mother daughter duo Mollie and Saro above, along with Mollie’s father and their dog Brody) care deeply for their clients and the artwork they provide, basing the name ‘Eye Like’ on the way they only sell work that they love themselves. I was excited so attend this exhibition in the weeks leading towards it as I had admired Mollie’s innovative and witty take on their social media platforms (Instagram, Twitter, Facebook) and was keen to meet in person the passionate people behind the 2 year old gallery. I found that they exuberate passion and I couldn’t have felt more welcome. I found this family to be  a breath of fresh air in such a traditional field. The care and work they put in is blatant …

Laura Jones / Still Life Artist / Inspiration

An artist I have admired for around 6 months via the stalking platform of Instagram, is Australian painter Laura Jones. I stumbled upon her Instagram page (@_laura_jones_ ) and immediately followed. With a meaty backlog of exhibitions, shows, awards and residencies her accomplishments have been as full as her engaging artwork. Although I love her whole back catalog of work including a portrait series titled ‘I woke up like this’ my favourite is her recent ‘Wildflower’ work which emphasises an expression of Australian identity. I find her work so warm and peaceful. The colour patterns are incredibly earthy while retaining the brightness of the flowers and vases. They are full and bold in application but soft by nature. I identify most to the tactful naivety of the brush strokes as well as the simplicity of the visuals. I very much hope to own one of these originals! This is the kind of artwork that I feel doesn’t need discussing at great length, it should be looked at and examine how you feel when you see it above dissecting …

Harambe, Wildlife and Human Compassion

I love wildlife. Could you possibly tell? I am the girl who paints animals.  This hobby of mine comes from a place of pure appreciation. I am fascinated and so wildly in awe of everything about wildlife, all species, none, no matter what size, instincts or habits they behold go without my adoration. I live in wonder at how such creatures could be of such flawless and spectacular design. Millions of years of adaptation has created so much supremacy and beauty, species that slot perfectly into their environments and know exactly how to live as a default setting. Having been moulded by evolution over such a vast period of time adds to the insanity yet absolute logic of such perfection.  All the way from a stick insect, over to a silverback gorilla. Gorillas are my favourite species of wildlife. They are my all time favourite to paint. I love their build, their intellect, their expressive faces. I love both their strength and sensitivity, their protective nature and fierce instincts. I just love them. But I do …

Virtue – A painting ensouled

It has so  far been rare that I connect to a painting that I produced quite as much as I did with Virtue: a light and ethereal take on a flock of doves. I enjoy working on every painting, some I would keep for myself and some I couldn’t wait to show the world and allow someone else to connect. Hoping for others to connect with your artwork is a pointless effort, it can only really be seen as you would like, if you paint with the intentions of making yourself feel a certain way. Only then, maybe someone else can channel into its meaning or create their own. I love this about art. Production based from feelings gives a timeless result to the artist. ‘Virtue’ came together incredibly fast for a painting of its vast size but tricky and slight proportions. It is often the case that when working so close to a large scale painting, you can become lost in the finer details, only to be surprised by what you produced when stepping away. It can …